Diego Rodríguez de Silva
y Velázquez Spanish 1599-1660
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Diego Rodríguez de Silva y Velázquez
was a Spanish painter considered to have been the country's
greatest baroque artist. He, with Francisco de Goya and El
Greco, forms the great triumvirate of Spanish painting. Diego
Rodriguez de Silva y Velazquezor plain Diego Velazquez!was
the leading Spanish artist in the court of King Philip IV
of Spain in the 1600s.
An artist of astonishing technique and confidence, many art
critics say he is unsurpassed as a portrait artist. His great
fame came long after his death, starting in the first quarter
of the nineteenth century, when he was used as a model for
Realist and Impressionist artists, such as Manet.
This influence continued to later artists ... for example
Pablo Picasso and Salvador Dalí. Many critics claim
a sense of modernness of impression, of direct contact with
nature, and a vital force pervades all of Velazquez´s
work, be it landscape or portraiture. In fact, one of the
most consummate of paintersJohn Ruskinstated
"everything Velazquez does may be taken as absolutely
right by the student".
A realist, diego velazquez painted only what he saw. His men
and women seem to breathe, his horses are full of action,
and his dogs full of life.England was the first nation to
recognize his extraordinary merit and, outside Spain, owns
the largest share of his works. Meanwhile, the Prado Museum
in Madrid houses over 60 of his works.
Velazquez
(National Gallery Publications) by Leah Kharibian Paperback:
48 pages Publisher: National Gallery London (December 11, 2006)
Born in Seville in 1599possibly to a noble familyVelázquez was trained by Francisco Pacheco,
whose daughter he married in 1618. After leaving the studio
of his father-in-law for Madrid and the court of Philip IV,
he began painting from life and developed his virtuoso style
marked by loose brushwork and breathtaking naturalism.
This book introduces Velázquez and his milieu, tracing
his development from the earliest Sevilian bodegones [still
lifes] to his late mythological pictures and the great series
of royal portraits. With a chronology and an absorbing and accessible
introduction to Velázquez, it features fifteen carefully
chosen and beautifully reproduced masterpieces.
Velazquez
by Elena Ragusa (Editor), Miguel Angel Asturias (Preface)
Paperback: 192 pages Publisher: Rizzoli (March 28, 2006)
The Rizzoli Art Classics series brings you Piero della Francesca,
Titian, Caravaggio, and Velázquez, all in beautifully
illustrated monographs, offering high-quality reproductions
in compact, accessible volumes. These books feature a literary
introduction by a renowned art historian, a thoroughly researched
essay, and captions describing the artist's most famous canvases.
A useful appendix section includes an extensive chronology of
the artist's life and important historical events of his time;
a compilation of writings by well-known historians, insight
into each painter's stylistic development; a geographical table
detailing the location of each painting in the book; and a concise
bibliography with suggested further readings.With authoritative
text by leading art historians, these lavishly illustrated editions
provide fresh insight into the art and lives of some of the
most fascinating artists in the history of painting.
Velázquez in Seville by David Davies (Editor),
Enriqueta Harris, Michael Clarke (Editor), Enriqueta Harria
(Editor) Hardcover, 191 pages (October 1996) Yale Univ
Press
In this beautifully illustrated book, an international team
of art scholars explores the importance of Seville for Velázquez
in his formative years. Discussions range from Velázquez's
education, training, and subject matter to Sevillian culture
Catholic theology, and picaresque literature.
A catalogue raisonné of the work of the great Spanish painter who
was a precursor of Impressionism and a primary source of inspiration
for such varied artists as Goya, Manet, Monet, Renoir, and Degas.
Expert text provides a critical biography of the artist and a continuous
commentary on the works, represented in beautiful full-color plates
and some black-and-white illustrations. The author shows how each
of Velázquez's paintings contains "multiple pictures," providing
a veritable feast for the eyes.
Velazquez
by Dawson W. Carr Hardcover: 256 pages Publisher: National
Gallery London (December 15, 2006)
Renowned for his physical and psychological naturalism, Diego
Rodríguez de Silva y Velázquez (1599-1660) is
considered one of the greatest painters to have ever lived.
Official court painter to King Philip IV (1605-1665), he created
astounding effects of illusion in his minimalist and elegantly
composed workswhich range from genre and history
scenes to portraits. His paintings had an enormous impact on
19th- and early-20th-century artists such as Degas, Renoir,
and Picasso, and Manet famously first described him as the
painters painter.
With over 150 illustrations and an in-depth chronology, this
beautifully produced and comprehensive book surveys Velázquezs
entire career and explores his universal popularity. Fascinating
essays by world-class Velázquez scholars address the
artists life and technique, examining his studies in Seville
and Italy to his final great works at the court of Philip IV.
They also place his works in the context of 17th-century European
painting and discuss how and why his works have resonated so
strongly with the generations of Post-Impressionist and modernist
artists.
Velázquez is often considered an artist apart: great,
but isolated in a palace/ museum in Spain. This highly original
book sets him in conjunction with certain conditions of painting
in his time and after.
From the seventeenth century to the twentieth, roughly from Rembrandt
and Vermeer to Matisse and Picasso, a succession of European painters
has taken the studio as the world; that is, the studio is where
the worldas it gets into paintingis experienced. Svetlana
Alpers first focuses on this retreat into the confines of the studio,
then looks at the ways in which the paintings of the Dutch masters
and Velázquez acknowledge war and rivalry while offering
a way out. The final chapters give a new account of Velázquezs
The Spinners, a ravishing painting which has been eclipsed
by interest in the enigmas of Las Meninas. Alpers concentrates
on the seventeenth century but also looks back to Velázquezs
predecessors Titian and Rubens and forward to his modern successors.
She discusses Velázquezs resemblance to Manet, whose
art also vexes or unsettles, giving us reason to pause and look.
The book concludes by asking whether painting continues to do that
today.
Velázquez: The Technique of Genius by Jonathan
Brown, Diego Velázquez, Carmen Garrido, Carmen G. Perez
Hardcover, 224 pages (December 1998) Yale Univ Press
Velázquez: The Technique of Genius by Jonathan
Brown, Diego Velázquez, Carmen Garrido, Carmen G. Perez
Paperback, 224 pages (December 1998) Yale Univ Press
In this beautiful and engaging book, an art historian and a
conservation scientist discuss the techniques Velzquez created
in order to realize his artistic vision. Examining thirty works
by Velzquez that span his entire career, the authors show how
his technical achievement developed over time.
The copious official documents Brown, together with J. H. Elliott,
resarched for their A Palace for a King ( LJ 10/15/80) revealed
new facts about Velazquez, and became the basis for Brown's
latest book. There are gaps in the artist's biography that will
probably never be filled, but Brown could make some logical
assumptions about the many years Velazquez lived under the patronage
of Philip IV of Spain. Brown was able to establish a new chronology
for some of the controversial paintings, and he has eliminated
a few questionable ones from the artist's oeuvre. This is an
important addition to Velazquez studies. It is also a highly
readable, excellently illustrated book for laypersons who wish
to learn more about this intriguing artist. Eleanor
Riley, Getty Conservation Inst. Lib., Marina del Rey, Cal.
Copyright 1986 Reed Business Information, Inc.
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